Tuesday April 1, 2008
An MFA in art is serious business. Not only does it mean you’re serious about this stuff and you intend to spend your life making art (75% of fine art BFAs make no attempt to have a career as an artist*), but you should have your act together, and be making serious work that can be judged at the highest levels. Right? So. Here’s the latest crop out of FIU, one of Miami’s better art programs.
Harumi Abe is a friend of mine, but I don’t think I’m being unfair to say that she stole the show. Her paintings popped off the wall, and they’re both hyper-real and completely mundane. You know that line Franklin used to kick around his footer, the one about the painting of a carrot starting a revolution? We’re getting close here.
So, I’m given to understand that there’s some technical difference in Fred Karrensberg’s work that makes it incorrect to say that he’s the obvious protege of Bill Burke, but you could do worse then to be just that. These pieces are mysterious and rich, and one even managed to combine cast glass and video without being laughable. (But I wouldn’t recommend trying that again.)
Dan Mintz has been working on this body of work, photos of his son, for years, and it’s come together spectacularly. Cheers, Dan (although might I suggest a middle initial or something, because there may be a google problem lurking). Photography always suffers in hastily-re-photographed reproduction, but I’ve managed to mangle this piece more then usual. Apologies; I assure you the original was crisp and masterfully printed.
Angelica Clyman. Here’s where we start to get into trouble. I understand about the carrot and everything, and Clyman obviously has the light thing figured out, but her attempts to convey spirituality and deepness through images of a couple hanging out outdoors
I also wasn’t completely convinced by the work of Chaitra Garrick. Based on stories told to her by her grandmother, they’re charmingly crude mixed-media drawings of people and animals in peculiar situations. The best of them exude a sort of iconic charm, and maybe Garrick will find a way to harness more of that in future work.
I made this number up. But I’d batcha it’s close.comments powered by Disqus